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Elizabeth Aldrich (born February 26, 1947) is an American dance historian, choreographer, writer, lecturer, consultant, administrator, curator, and archivist. [1] She is internationally known for her research, performance, choreography, teaching, and lectures on Renaissance and Baroque court dance, nineteenth-century social dance, and twentieth-century ragtime dance.
Renaissance dances belong to the broad group of historical dances, specifically those during the Renaissance period. During that period, there was a distinction between country dances and court dances. Court dances required the dancers to be trained and were often for display and entertainment, whereas country dances could be attempted by anyone.
The leading figures of the second generation of historical dance research include Shirley Wynne and her Baroque Dance Ensemble which was founded at Ohio State University in the early 1970s and Wendy Hilton (1931–2002), a student of Belinda Quirey who supplemented the work of Melusine Wood with her own research into original sources. [9]
Postmodern dance is a 20th century concert dance movement that came into popularity in the early 1960s. While the term postmodern took on a different meaning when used to describe dance, the dance form did take inspiration from the ideologies of the wider postmodern movement, which "sought to deflate what it saw as overly pretentious and ultimately self-serving modernist views of art and the ...
McKayle formed and directed his own dance company, Donald McKayle and Dancers (1951–69), and was the head of the Inner City Repertory Dance Company from 1970 to 1974. [13] He maintained relationships with companies that are repositories of his work including the Alvin Ailey American Dance Theatre, the Cleveland San Jose Ballet , and the Los ...
The camel walk entered the 1950s and 1960s as a retro dance. However, unlike the group dance that it was in the 1920s, this version of the camel walk was more of a solo act. One notable performer of this dance was James Brown, who performed it when doing concerts and stage shows.
In the early 20th century, Americans began pairing Victorian dances such as the Two-Step with Ragtime music. Other dances included the African American Cakewalk, and animal dances such as the Turkey Trot. The most popular social dance of the time was the One-Step. The dance consisted of couples taking one step on each beat of the music, so even ...
Dances of the aristocracy was an important courtly pastime as attested since at least the 14th century. The earliest known dance instruction books are dated by the 15th century and they described the dances of the high society. However, the earliest records of the dancing of ordinary folk date by the end of the 16th century. [2]