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The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...
Drunk. The View. Ching-chong.'" [15] The Asian American Journalists Association said her comments were "a mockery of the Chinese language and, in effect, a perpetuation of stereotypes of Asian Americans as foreigners or second-class citizens... and gives the impression that they are a group that is substandard to English-speaking people". [16]
Zhongguo feng or Chinese style (simplified Chinese: 中国风; traditional Chinese: 中國風; pinyin: Zhōngguó fēng) music is a popular Chinese music genre considered to adopt a more traditional musical style in its instrumental than normal popular music, similar to Chinese traditional music but with a "Modern Twist" style way.
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Many traditional instruments underwent changes in the early to mid 20th century which has a profound effect on the performance and sound of Chinese music, and a western equal temperament is now used to tune most traditional instruments, which to modern ears seem less harsh and more harmonious but which also robs the instruments of their ...
Chinese music censorship constitutes a multifaceted and enduring phenomenon that has wielded a substantial influence in molding the cultural milieu of China. Spanning across a spectrum of musical genres, from time-honored folk tunes to contemporary pop and rock, the realm of music in China has endured protracted governmental regulation and ...
In a recent interview, the astronaut said that the sound was like "someone knocking the body of the spaceship just as knocking an iron bucket with a wooden hammer." See fascinating photos of ...
Normally, the sound of one Chinese character is one syllable. Mandarin Chinese totally has about 1,300 different syllables with tones (only over 400 syllables if the tones are not taken into account). And modern Chinese has more than 10,000 characters, with an average of over 7.5 characters per syllable. That means homophonic characters widely ...
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