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These Nativity scenes probably derived from acted tableau vivants in Rome, although Saint Francis of Assisi gave the tradition a great boost. This tradition continues to this day, with small versions made of porcelain, plaster, plastic or cardboard sold for display in the home. The acted scenes evolved into the Nativity play.
By the last quarter of the century, manuscripts of the Ghent–Bruges school often include a set, including two or three winter scenes for the coldest months, some with a snowy landscape. The snowy landscape as a genre in painting really begins in the 1560's with five paintings by Pieter Bruegel the Elder made between 1563 and perhaps 1567.
Like many of Church's paintings, the picture is likely a composite of sketches taken in the field, especially in Maine, which he visited often. He travelled many times in the 1850s to Mount Desert Island and Mount Katahdin, then an especially remote area. [3] Like Church's other major works, it is a highly detailed view of nature.
Archip Kuindshi, Moonlit Night on the Dnieper 1882 James Abbott McNeill Whistler, Nocturne in Black and Gold – The Falling Rocket, 1874 [1] [2] The depiction of night in paintings is common in Western art. Paintings that feature a night scene as the theme may be religious or history paintings, genre scenes, portraits, landscapes, or
Completed in New York that winter, [8] Aurora Borealis was exhibited publicly in London in 1865 as a triumvirate with two paintings by Church of Ecuadoran volcanoes: Cotopaxi (his 1862 painting of an eruption) [9] and Chimborazo (his 1864 reprise of the dormant mountain that had been the subject of his 1858 masterwork Heart of the Andes).
Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
The Catholic Church viewed Protestantism and Reformed iconoclasm as a threat to the church and in response came together at the Council of Trent to institute some of their own reforms. The church felt that much religious art in Catholic countries (especially Italy) had lost its focus on religious subject-matter, and became too interested in ...
Late 13th-century Byzantine mosaics of the Hagia Sophia showing the image of Christ Pantocrator.. Much of the art surviving from Europe after the fall of the Western Roman Empire is Christian art, although this is in large part because the continuity of church ownership has preserved church art better than secular works.
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