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The music of ancient Rome was a part of Roman culture from the earliest of times. Songs ( carmen ) were an integral part of almost every social occasion. [ 1 ] The Secular Ode of Horace , for instance, was commissioned by Augustus and performed by a mixed children's choir at the Secular Games in 17 BC.
The music of ancient Rome borrowed heavily from the music of the cultures that were conquered by the empire, including music of Greece, Egypt, and Persia. Music accompanied many areas of Roman life; including the military, entertainment in the Roman theater, religious ceremonies and practices, and almost all public/civic occasions.
Ancient Rome portal; Pages in category "Ancient Roman musical instruments" The following 9 pages are in this category, out of 9 total.
The cornu was an ancient Roman musical instrument used in the ancient Roman military as a signaling instrument. [8] [9] It was used to give signals to the entire unit. [10] Reenactor blowing a cornu. The military writer Vegetius described the use of horns to give signals: The music of the legion consists of trumpets, cornets and buccinae. The ...
In ancient Greece and Rome, the tympanon (τύμπανον) or tympanum, was a type of frame drum or tambourine. It was circular, shallow, and beaten with the palm of the hand or a stick. Some representations show decorations or zill-like objects around the rim. The instrument was played by worshippers in the rites of Dionysus, Cybele, and ...
Earlier Roman and Etruscan depictions show the instrument used in processions, especially funeral processions. Players of the lituus were called liticines, though the name of the instrument appears to have been loosely used (by poets, not likely by soldiers) to describe other military brass instruments, such as the tuba or the buccina. [3]
Information about Roman pandura-type instruments comes mainly from ancient Roman artwork. Under the Romans the pandura was modified: the long neck was preserved but was made wider to take four strings, and the body was either oval or slightly broader at the base, but without the inward curves of the pear-shaped instruments. [ 9 ]
A music group directed by scholar Annie Bélis, dedicated to the recreation of ancient Greek and Roman music and playing instruments rebuilt on archaeological reference. In its recording D'Euripide aux premiers chretiens: musique de l'antiquité grecque et romaine, the band plays both Roman and Greek kitharas.