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The most well-known lineup of the Clash post breakup. Top: Joe Strummer, Mick Jones; Bottom: Paul Simonon, Topper Headon This is a comprehensive list of songs recorded by the English punk rock band the Clash that have been officially released.
The Clash's first official recording was the single for "White Riot", released by CBS Records in March 1977. In April, CBS released their self-titled debut album, The Clash, in the United Kingdom, but refused to release it in the United States, saying that the sound was not "radio friendly". [1]
The Clash is the debut studio album by the English punk rock band the Clash, released on 8 April 1977 through CBS Records.Recorded and mixed over three weeks in February 1977 for £4,000, it would go on to reach No. 12 on the UK charts, and has been included on many retrospective rankings as one of the greatest punk albums of all time.
The Clash were “The Only Band That Matters.” But more to the point, they were the only band who’s ever gotten away with calling themselves something so self-aggrandizing, because it felt ...
It should only contain pages that are The Clash songs or lists of The Clash songs, as well as subcategories containing those things (themselves set categories). Topics about The Clash songs in general should be placed in relevant topic categories .
The Clash presaged the band's future works with their cover of the reggae song "Police and Thieves". The band had been influenced by the subject matter, slogans and lyrics of reggae, which they often played in rehearsals but recording "Police and Thieves" was an important step that was only taken after a lot of discussion within the group.
Pages in category "Songs written by Mick Jones (The Clash)" The following 71 pages are in this category, out of 71 total. This list may not reflect recent changes .
"Should I Stay or Should I Go" is a song by the English punk rock band the Clash from their fifth studio album Combat Rock, written in 1981 and featuring Mick Jones on lead vocals. It was released in 1982 as a double A-sided single alongside "Straight to Hell", performing modestly on global mus