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Filmotec announced the introduction of two new films to the market in 2022, a new black & white film for still camera use (expected April 2022) and a new colour cine film stock using ECN-2 development process (expected July 2022), which would provide cinematographers with an alternative to the Kodak vision 3 colour camera stocks. [16]
African textiles are textiles from various locations across the African continent. Across Africa, there are many distinctive styles, techniques, dyeing methods, and decorative and functional purposes. These textiles hold cultural significance and also have significance as historical documents of African design.
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
Producing fast black in the Middle Ages was a complicated process involving multiple dyeings with woad or indigo followed by mordanting, but at the dawn of Early Modern period, a new and superior method of dyeing black dye reached Europe via Spanish conquests in the New World.
Jagua tattoos are a form of temporary tattoo made with a fruit-based dye. [77] This dye is derived from a Central and South American fruit (Genipa americana) traditionally used for a variety of purposes including medicine and body art. [77] Jagua ink creates a blue-black color that fades in a couple weeks. [78]
A hand-colored print of George Méliès' The Impossible Voyage (1904). The first film colorization methods were hand-done by individuals. For example, at least 4% of George Méliès' output, including some prints of A Trip to the Moon from 1902 and other major films such as The Kingdom of the Fairies, The Impossible Voyage, and The Barber of Seville were individually hand-colored by Elisabeth ...
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Red clothing was a sign of status and wealth. It was worn not only by cardinals and princes, [27] but also by merchants, artisans and townspeople, particularly on holidays or special occasions. Red dye for the clothing of ordinary people was made from the roots of the rubia tinctorum, the madder plant. This color leaned toward brick-red, and ...