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Ultraman Arc (ウルトラマンアーク, Urutoraman Āku) is the titular Ultra of the series and the merged form of Yuma and Rution, the being of light from a faraway galaxy. His finishing move is Arc Finalize (アークファイナライズ, Āku Fainaraizu). [1] [2] His main weapon is the Arc Eye Sword (アークアイソード, Āku Ai ...
His finishing move is Dark-Ray Schtrom (ダークレイ・シュトローム, Dāku Rei Shutorōmu), which had the same strength as Nexus Junis' Over-Ray Schtrom. [ 11 ] [ 17 ] After his seeming demise from the final battle with Himeya, Mizorogi regains the ability to transform into Mephisto by absorbing nearby lights, signifying his redemption ...
Ultraman Blazar (ウルトラマンブレーザー, Urutoraman Burēzā) is a Japanese tokusatsu drama produced by Tsuburaya Productions, released to coincide with the company's 60th anniversary. [3] It is the 35th entry to the Ultraman Series, the fifth installment in the Reiwa era and the first series to lean towards serious hard science ...
The Beta Capsule is always shown stored in Hayata's SSSP jacket. In episode 22 of Ultraman, the Beta Capsule (or to a lesser extent, Ultraman's power) had the ability to free Hayata from external influence, as the Underground People tried to control Ultraman by brainwashing Hayata until Ultraman's transformation freed him. But despite this, the ...
Ultra Fight Orb: Let Me Borrow the Power of Father and Son! ( ウルトラファイトオーブ 親子の力、おかりします！ , Urutora Faito Ōbu Oyako no Chikara, Okarishimasu! ) is a Japanese television miniseries produced by Tsuburaya Productions as a spin-off of Ultraman Orb .
Ultraman Zero (ウルトラマンゼロ, Urutoraman Zero) [2] [3] [4] is a fictional character from the Ultra Series.He first appeared in Mega Monster Battle: Ultra Galaxy before starring in his own film Ultraman Zero: The Revenge of Belial and its 2012 sequel Ultraman Saga.
United Artists Television picked up the rights for Ultra Q and Ultraman in the fall of 1966, two months after the first episode of Ultraman aired. Ultra Q was dubbed but never broadcast in the United States due to American TV stations preferring color shows over black-and-white shows. Ultraman ran in and out of syndication until the early 1990s ...
Numerous visual effects sequences in the film are combined with original tokusatsu practical effects, such as extensive miniature effect shots. [100] Ultraman's iconic Spacium Beam was created by optical artist Sadao Iizuka using the same technique he used for the original 1966 series, where he would draw a series of rays on paper and change ...