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Poetry International Web is an international webzine and a poetry archive put together by a collective body of editors around the world and centrally edited in Rotterdam. It was originally launched in 2002. The site presents poetry from many countries in their original languages and in English translation.
Poetry International may refer to: Poetry International Web, a webzine and poetry archive of the Poetry International Foundation; Poetry International Festival, ...
Ireland – Matthew Sweeney at Poetry International Web (with poem audio files) Matthew Sweeney at the Poetry Archive; Some Sweeney poems at Blackbox Manifold, Issue: No. 2 (January 2009) Review of The Night Post. Sheridan, Colette. "Matthew Sweeney: 'I prefer not to dwell on my inevitable demise'" (interview), Irish Examiner, 23 April 2018.
Full-Length Poetry Collections. Little Million Doors: An Elegy (Nightboat Books, 2019) (Winner of the Nightboat Poetry Prize [2]) Wolf's Milk: Lost Notebooks of Juan Sweeney (Forklift Books) [6] The Art of Stepping Through Time: Selected Poems of H.E. Sayeh (Translated by Chad Sweeney and Mojdeh Marashi, White Pine Press) [7]
He became the publisher's poetry editor in 2012 and retired from the role in 2013. [3] He is a member of the international educational and cultural enhancement organisation the British Council, taking part in the Arts Council's "First Lines" programme in 2001. [1] Hollis has published a variety of written works.
Poetry International started by Ted Hughes and Patrick Garland [1] May 16 – the premiere at Taganka Theater in Moscow of a staged poetical performance Послушайте! ("Listen!"), based on the works of Russian poet Vladimir Mayakovsky. The show is in repertoire until April 1984, is revived in May 1987 and again in repertoire until June ...
A long time poetry editor at Words Without Borders, [7] and Poetry International, [8] he has also edited several anthologies of poetry from around the world, including Ecco Anthology of International Poetry (HarperCollins), [9] which is widely used in classrooms all over the country.
Beaton also notes "a deep distrust of the poet's very medium, which runs through almost all the poetry of his generation", as, for instance, in the poem "Now He Is A Simple Spectator". Also unusual amongst those contemporary poets sharing Anagnostakis' politics is Anagnostakis' use of Christian imagery in his poetry, [8] and, unusual amongst ...