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In contrast to other styles of pasillo, however, Ecuadorian pasillo is slow and melancholic, often resting on themes of heartbreak and regret. Pasillo was named the "national style of Ecuador" and is the style of many city anthems, such as that of Guayaquil. [9] Today, it has incorporated more European features of classical dance, such as waltz.
The Mapalé is an Afro-Colombian and Ecuadorian style of dance that was brought over by the slaves and representing the fishermen after a long day of work. [1] Its name comes from the Cathorops mapale (fish) when they are out of the water. [2] The dance moves are compared with the agility and strength of those who are performing it.
This is the main list of dances. It is a non-categorized, index list of specific dances. It may also include dances which could either be considered specific dances or a family of related dances. For example, ballet, ballroom dance and folk dance can be single dance styles or families of related dances. See following for categorized lists:
A Sanjuanito, Sanjuan, or San Juan is a type of Ecuadorian music and dance. Sanjuanitos are an indigenous form of music and folkloric dance associated with the Sierra, Ecuador's mountainous Andean region. It's associated with, but not specific to, the Otavalo people.
This is a list of folk music traditions, with styles, dances, instruments and other related topics. The term folk music can not be easily defined in a precise manner; it is used with widely varying definitions depending on the author, intended audience and context within a work.
Bomba or Bomba del Chota is an Afro-Ecuadorian music and dance form from the Chota Valley area of Ecuador in the province of Imbabura and Carchi.Its origins can be traced back to Africa via the middle passage and the use of African slave labor during the country's colonial period.
Salsa training in Ecuador. Salsa is the name for Latin American dances that are danced to salsa music.Salsa is one of the most popular types of Latin dance that is practiced worldwide, [1] and is typically danced with a partner, although there are elements of solo footwork as well.