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Illustration of the hero's journey. In narratology and comparative mythology, the hero's quest or hero's journey, also known as the monomyth, is the common template of stories that involve a hero who goes on an adventure, is victorious in a decisive crisis, and comes home changed or transformed.
Campbell's concept of monomyth (one myth) refers to the theory that sees all mythic narratives as variations of a single great story. The theory is based on the observation that a common pattern exists beneath the narrative elements of most great myths, regardless of their origin or time of creation.
The similarities of these myths brought Campbell to write his book in which he details the structure of the monomyth. He calls the motif of the archetypal narrative, "the hero's adventure". In a well-known passage from the introduction to The Hero with a Thousand Faces, Campbell summarizes the monomyth:
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The Hungarian endonym is Magyar, which is derived from Old Hungarian Mogyër. The name is derived from Magyeri of the 9th or 10th century (contemporarily Mëgyër ), one of the 7 major semi-nomadic Hungarian tribes (the others being the Nyék , Tarján , Jenő , Kér , Keszi , and Kürt-Gyarmat ), which dominated the others after the ascension ...
According to Marquard, the chief example of a monomyth is that of world history as progress toward emancipation. This myth emerged in the mid-18th century philosophy of history and turned "histories" into the singular "history". [19] Marquard calls it the second end of polymythical thinking; the first was the end of religious polytheism.
The four heroes from the 16th-century Chinese novel Journey to the West. In narratology and comparative mythology, the Rank–Raglan mythotype (sometimes called the hero archetypes) is a set of narrative patterns proposed by psychoanalyst Otto Rank and later on amateur anthropologist Lord Raglan that lists different cross-cultural traits often found in the accounts of heroes, including ...
The World Tree carved on a pot. Amongst the modern religions, Hungarian mythology is closest to the cosmology of Uralic peoples. In Hungarian myth, the world is divided into three spheres: the first is the Upper World (Felső világ), the home of the gods; the second is the Middle World (Középső világ) or world we know, and finally the underworld (Alsó világ).