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8 measure with three equal notes would have a quarter note on each side but two tied eighth notes in the middle; a 3 4 measure with three equal notes would have all quarter notes. Several notes in succession can be tied together.
A single eighth note, or any faster note, is always stemmed with flags, while two or more are typically beamed in groups. [1] In modern practice, beams may span across rests in order to make rhythmic groups clearer. In vocal music, beams were traditionally used only to connect notes sung to the same syllable. [2]
When tied together, two notes with the same pitch are played as a single note. The length of this single note is the sum of the time values of the two tied notes. The symbol for the tie and the symbol for the slur appear the same, but a tie can only join two notes of the same pitch. Slur
Dotted notes and their equivalent durations. The curved lines, called ties, add the note values together. In Western musical notation, a dotted note is a note with a small dot written after it. [a] In modern practice, the first dot increases the duration of the basic note by half (the original note with an extra beam) of its original value.
An eighth note or a quaver is a musical note played for one eighth the duration of a whole note (semibreve). Its length relative to other rhythmic values is as expected—e.g., half the duration of a quarter note (crotchet), one quarter the duration of a half note (minim), and twice the value of a sixteenth note.
The most common tuplet [9] is the triplet (German Triole, French triolet, Italian terzina or tripletta, Spanish tresillo).Whereas normally two quarter notes (crotchets) are the same duration as a half note (minim), three triplet quarter notes have that same duration, so the duration of a triplet quarter note is 2 ⁄ 3 the duration of a standard quarter note.
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Rather than writing this as a series of quarter notes, he writes two tied eighth notes. [ 63 ] Musicologists have tried to explain what Beethoven meant by this: David Levy has written an entire article on the notation, [ 36 ] and Stephen Husarik looked to the history of Baroque ornamentation for an explanation. [ 64 ]