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Art Institute of Chicago: Jesus Insulted by the Soldiers: 1865: 190.8 × 148.3 cm: Art Institute of Chicago: Bullfight: 1865 / 1866: 90 × 110 cm: Musée d'Orsay (Paris) Bullfight – Death of the Bull: 1865 / 1866: 48 × 60.4 cm: Art Institute of Chicago: The Matador Saluting: 1866 / 1867: 171.1 × 113 cm: Metropolitan Museum of Art (New York ...
The Balcony (Manet) A Bar at the Folies-Bergère; The Barque of Dante (Manet) The Battle of the Kearsarge and the Alabama; Berthe Morisot with a Fan; Blonde Woman with Bare Breasts; Boating (Manet) Boy Blowing Bubbles; Boy Carrying a Sword; The Brioche; Bullfight (Manet) Bullfight – Death of the Bull; The Bullfight; A Bundle of Asparagus
The painting measures 65.4 cm × 80 cm (25.7 in × 31.5 in) and it is signed and dated in the lower left corner, "Manet / 1878". This work echoes the composition of another Manet painting of 1878, Road-menders in the Rue Mossnier. Another 1878 Manet painting of a similar scene of the Rue Monsier, decorated with flags, is held in a private ...
The House at Rueil (La maison du Rueil) is the title of two oil-on-canvas paintings by Édouard Manet completed in 1882. The paintings depict a view of the house where Manet and his family stayed for a few months before his death. The two versions are almost identical, but one is in landscape format, and the other is portrait format.
The bunch of asparagus lies on a base of green leaves that reach from the left side to the lower right corner of the picture. Manet's biographer Théodore Duret speaks of a "lit d'herbes vertes" (bed of green leaves). [3] For the art historian Mikael Wivel, Manet presented the asparagus in the same way a greengrocer would display his goods. [4]
The late Manet painting, Le Printemps (1881), sold to the J. Paul Getty Museum for $65.1 million, setting a new auction record for Manet, exceeding its pre-sale estimate of $25–35 million at Christie's on 5 November 2014. [59] The previous auction record was held by Self-Portrait With Palette which sold for $33.2 million at Sotheby's on 22 ...
This affair developed while the young Manet was still living in his parents' house, where Suzanne–who was three years Manet's senior– was engaged as his brothers' piano teacher in 1849. [5] Their relationship was kept secret from his family. Manet and Suzanne married in 1863, [6] two years after the completion of this painting in 1861. [1]
The Old Musician is an 1862 oil painting on canvas by French painter Édouard Manet, produced during the period when the artist was influenced by Spanish art. The painting also betrays the influence of Gustave Courbet. This work is one of Manet's largest paintings and is now conserved at the National Gallery of Art in Washington, DC. [1]
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