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Overpass is a geometric sans-serif digital typeface, derived from Highway Gothic, but instead with a focus on usage as a webfont on digital screens for user interfaces and websites. It was designed by Delve Withrington with Dave Bailey, Thomas Jockin, Alan Dague-Greene, and Aaron Bell between 2011–2021. [ 3 ]
Download QR code; Print/export ... edition of Windows in which the font was included. Included typefaces with versions. Typeface Family Spacing Weights/Styles Target ...
Hart House at the University of Toronto, designed by Henry Sproatt. Gothic Revival architecture in Canada is an historically influential style, with many prominent examples. . The Gothic Revival style was imported to Canada from Britain and the United States in the early 19th century, and it rose to become the most popular style for major projects throughout the late 19th and early 20th centuri
Benton Sans is a digital typeface family begun by Tobias Frere-Jones in 1995, and expanded by Cyrus Highsmith of Font Bureau.It is based on the sans-serif typefaces designed for American Type Founders by Morris Fuller Benton around the beginning of the twentieth century in the industrial or grotesque style.
The fonts implement almost the whole of the Multilingual European Subset 1 of Unicode. Also provided are keyboard handlers for Windows and the Mac, making input easy. They are based on fonts designed by URW++ Design and Development Incorporated, and offer lookalikes for Courier, Helvetica, Times, Palatino, and New Century Schoolbook. [4]
Also the official font for all the signage system of the Spanish Government. Modified variant of Gill Sans Bold Condensed used on road signs in former East Germany until 1990. [26] [27] Goudy Old Style: Used on Victoria PTC railway station signs in the 1990s, replacing the green The Met signs.
Century Gothic is a digital sans-serif typeface in the geometric style, released by Monotype Imaging in 1990. [1] [2] It is a redrawn version of Monotype's own Twentieth Century, a copy of Bauer's Futura, to match the widths of ITC Avant Garde Gothic. It is an exclusively digital typeface that has never been manufactured as metal type.
ITC Avant Garde Gothic is a geometric sans serif font family based on the logo font used in the Avant Garde magazine. Herb Lubalin devised the logo concept and its companion headline typeface, and then he and Tom Carnase, a partner in Lubalin's design firm, worked together to transform the idea into a full-fledged typeface.