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1994: Various - Old School Volume 5; 1995: Various - Eazy-E & Posse; 1996: Various - Street Jams : Back 2 The Old Skool Part Three; 1997: Various - The Best Of Old School Funk Vol. 02; 1997: Various - West Coast Posse 2; 1998: Various - Funky Break Essentials 2; 2002: Various - Old School Funkin' Hip Hop 2; 2002: Various - Hip Hop Most Wanted ...
The official music video for "Sax" was released on 26 November 2015. It was directed by Colin Tilley. [citation needed] It shows East smiling and walking in a five-colour square tunnel, and later shows her with some dancers in a colourful changing background. On 15 June 2016, another music video, titled "Sax in the City", was released for the song.
The Funk Phenomena (1997) The Armand Van Helden Phenomena (1999) Funk Phenomena The Album (2002) The Funk Phenomena & Old School Junkies: The Complete Sessions (2003) Armand (2005) You Don't Know Me: The Best of Armand Van Helden (2008) #41 (UK) Masterpiece (2015) House Masters (2016)
Progression of the most-viewed video on YouTube Video name Uploader Views at achievement* Publication date Date achieved Days after upload Days held Takedown date Ref Notes "Baby Shark Dance" [7] Pinkfong Baby Shark - Kids' Songs & Stories: 7,046,700,000: June 17, 2016: November 2, 2020 1600 1,509 "Despacito" [10] Luis Fonsi: 2,993,700,000 ...
A poster for an Uncle Jamm's Army concert with Run-DMC in 1984. In 1978, Gid Martin Jr, and his brothers Tony Martin and Greg Martin were giving parties at Alpine Village in Torrance California that were attracting huge crowds from all over the cities of Carson, San Pedro, Gardena, Westchester, Compton, Los Angeles, and Harbor City, where they attended Narbonne High School.
The Mix Tape, Volume 1: 60 Minutes of Funk is a mixtape by American DJ Funkmaster Flex, composed of freestyles and previously released songs, all mixed with Funk Flex's production. It was released on November 21, 1995, via Loud/RCA Records.
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Backspin technique (or quick-mix theory): Early New York party DJs came to understand that short drum breaks were popular with party audiences. Kool Herc began experimenting with the use of two identical tracks to extend the ‘break’, or instrumental section, resulting in what was known as ‘break-beat’.