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[4] Yōkai are mischievous creatures, sometimes considered demonic, that shed light on mysterious or unexplained phenomena, for example, damaging winds or noises in the night that cannot be explained. [2] There are three basic types of yōkai, Obake who are usually depicted as shapeshifting monsters; Yurei, that are ghosts; and the more general ...
The Miyoshi Mononoke Museum, also known as the Yumoto Koichi Memorial Japan Yōkai Museum, or shortened to the Yōkai Museum, is located in Miyoshi, Hiroshima Prefecture, Japan. [1] The museum collection holds over 5,000 artworks and objects that represent yōkai , supernatural beings in Japanese folklore.
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The first five minutes of the episode are an adaptation of chapter 15 of the manga, and Silky's backstory is depicted in 11 pages, compared to 10 minutes of the anime with additional and elongated scenes. While the manga depicts Silky in her yōkai form when Aira first met her, the anime makes her look similar to her human form before transforming.
Fūshi Manga De Toku Onna Wo Matsu Barrier, Toshiko Nishida (Cartoon Division) Magazine Rondo, Hiromi Matsuo (Manga Division) Made in Abyss, Akihito Tsukushi Vilange, Osamu Takeuchi Locke the Superman, Yuki Hijiri 2024 [18] Calorie no Tsuyagoto, Yua Oda (Comic Division) Takupedia, Taku Furukawa (Cartoon Division) Chiikawa, Nagano (Manga Division)
In the Edo Period Japanese dictionary, the Rigen Shūran, there is only the explanation "monster painting by Kohōgen Motonobu." [4] According to the Edo Period writing Kiyū Shōran (嬉遊笑覧), it can be seen that one of the yōkai that it notes is depicted in the Bakemono E (化物絵) drawn by Kōhōgen Motonobu is one by the name of "nurarihyon," [5] and it is also depicted in the ...
In the Hyakki Yagyo Emaki from the Muromachi period, yōkai that appeared as umbrellas could be seen, but in this emaki, it was a humanoid yōkai that merely had an umbrella on its head and thus had a different appearance than that resembling a kasa-obake. [7]
The night parade was a popular theme in Japanese visual art. [2] One of the oldest and most famous examples is the 16th-century handscroll Hyakki Yagyō Zu (百鬼夜行図), erroneously attributed to Tosa Mitsunobu, located in the Shinju-an of Daitoku-ji, Kyoto. [2]