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Impressionism in music was a movement among various composers in Western classical music (mainly during the late 19th and early 20th centuries) whose music focuses on mood and atmosphere, "conveying the moods and emotions aroused by the subject rather than a detailed tone‐picture". [1] "
Maurice Ravel's music, also often labelled as impressionist, explores music in many styles not always related to it (see the discussion on Neoclassicism, below). Arnold Schoenberg, Los Angeles, 1948. Many composers reacted to the Post-Romantic and Impressionist styles and moved in different directions.
Henri Rousseau, The Centenary of Independence, 1892, Getty Center, Los Angeles Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York. Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism.
Synthetism is a term used by Post-Impressionist artists like Paul Gauguin, Émile Bernard and Louis Anquetin to distinguish their work stylistically from Impressionism. Earlier, Synthetism has been connected to the term Cloisonnism , and later to Symbolism . [ 1 ]
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. [2] In a historical sense, some musicologists use the term "avant-garde music" for the radical compositions that succeeded the death of Anton Webern in 1945, [ 3 ...
There is also an overlap between different styles that coexist simultaneously: Neo-Impressionism and Post-Impressionism, modernism, symbolism, synthetism, ingenuism; as well as between the plastic arts: painting, sculpture, illustration, decorative arts, and between these and poetry, theater, and music. [8]
Fauvism can be classified as an extreme development of Van Gogh's Post-Impressionism fused with the pointillism of Seurat [3] and other Neo-Impressionist painters, in particular Paul Signac. Other key influences were Paul Cézanne [ 4 ] and Paul Gauguin , whose employment of areas of saturated color—notably in paintings from Tahiti—strongly ...