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In music, an eight-bar blues is a common blues chord progression. Music writers have described it as "the second most common blues form" [1] being "common to folk, rock, and jazz forms of the blues". [2] It is often notated in 4 4 or 12 8 time with eight bars to the verse.
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A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic , subdominant , and dominant ( scale degrees I, IV and V): in the key of C, these would be the C, F and G chords.
"Hide Away" or "Hideaway" is a blues guitar instrumental that has become "a standard for countless blues and rock musicians performing today". [1] First recorded in 1960 by Freddie King, the song became a hit on the record charts. It has been interpreted and recorded by numerous blues and other musicians and has been recognized by the Rock and ...
Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
Swamp blues has a laid-back, slow tempo, and generally is a more rhythmic variation of Louisiana blues, incorporating influences from New Orleans blues, zydeco, soul music and Cajun music. [3] It is characterized by simple but effective guitar work and is influenced by the boogie patterns used on Jimmy Reed records and the work of Lightnin ...
Hill country blues (also known as North Mississippi hill country blues or North Mississippi blues) is a regional style of country blues.It is characterized by a strong emphasis on rhythm and percussion, steady guitar riffs, few chord changes, unconventional song structures, and heavy emphasis on the "groove", which has been characterized as the "hypnotic boogie".
The song is a moderately slow-tempo twelve-bar blues, notated in 4 4 or common time in the key of B. [4] [5] Oden, as St. Louis Jimmy, recorded it in Chicago on November 11, 1941. It was released as a single by Bluebird Records and featured Oden's vocal with accompaniment by Roosevelt Sykes on piano and Alfred Elkins on "imitation" bass. [6]