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In Christianity, the doctrine of the Trinity states that God is a single essence in which three distinct hypostases ("persons"): the Father, the Son, the Holy Spirit, exist consubstantially and co-eternally as a perichoresis. Islam considers the concept of any "plurality" within God to be a denial of monotheism.
Today, the concept of an aniconic Islam coexists with a daily life for Muslims awash with images. TV stations and newspapers (which do present still and moving representations of living beings) have an exceptional impact on public opinion, sometimes, as in the case of Al Jazeera, with a global reach, beyond the Arabic speaking and Muslim audience.
The use of religious images in general continued to increase up to the end of the 7th century, to the point that in 695, upon assuming the throne, Byzantine emperor Justinian II put an image of Christ on the obverse side of his gold coins, resulting in a rift which ended the use of Byzantine coin types in the Islamic world. [9]
Despite the avoidance of the representation of Muhammad in Sunni Islam, images of Muhammad are not uncommon in Iran. The Iranian Shi'ism seems more tolerant on this point than Sunnite orthodoxy. [51] In Iran, depictions have considerable acceptance to the present day, and may be found in the modern forms of the poster and postcard. [12] [52]
Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...
The balcony of Holy Trinity-St. Nicholas Greek Orthodox Church, in Finneytown. The church has recently installed new mosaic art to the ceiling.
At least in later Orthodox images, each bar of this cross is composed of three lines, symbolising the dogmas of the Trinity, the oneness of God and the two natures of Christ. In mosaics in Santa Maria Maggiore (432–40) the juvenile Christ has a four-armed cross either on top of his head in the radius of the nimbus, or placed above the radius ...
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...