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The San Marco Altarpiece (also known as Madonna and Saints) is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder , and was completed sometime between 1438 and 1443.
Saint Sebastian is a painting of the early Christian saint and martyr Saint Sebastian painted c. 1501–1502 by the Italian High Renaissance artist Raphael. Part of his early works, it is housed in the Accademia Carrara of Bergamo, Italy. [1] In 2022 the painting was included in an exhibition held at the National Gallery in London.
Saint Sebastian (c. 1615) by Guido Reni. Saint Sebastian is a c. 1615 oil on canvas painting by Guido Reni, now in the Capitoline Museums in Rome. It is one of three similar treatments of the subject produced by the artist - the others are now in the Palazzo Rosso in Genoa (c.1615) [1] [2] and another in the Rhode Island School of Design Museum in Providence (c.1615 or c.1630s).
The painting shows an uncommon subject, with the Virgin holding the Child who writes on a book, an allusion to his intervention in the Holy Books. On the right is Saint Jerome, recognizable by his cardinal dress, leaving a book on the marble throne where the Madonna sits: in this case this is one of his traditional attributes of knowledge.
Madonna and Child Enthroned with Saints from San Michele (c. 1497-1499) His first known documented commission was for two paintings for the Scuola Grande di San Marco in Venice. The paintings were contracted to depict the Deluge (flood myth) and another scene from Genesis, however their final status is unknown as they were destroyed in a fire ...
Annalena Altarpiece with predella by Fra Angelico, c. 1438–40 (frame removed), sometimes considered the "first" instance of the sacra conversazione format [1]. In art, a sacra conversazione (Italian: [ˈsaːkra koɱversatˈtsjoːne]; plural: sacre conversazioni), meaning "holy (or sacred) conversation", is a genre developed in Italian Renaissance painting, with a depiction of the Virgin and ...
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