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The San Marco Altarpiece (also known as Madonna and Saints) is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder, and was completed sometime between 1438 and 1443.
Madonna and Child Enthroned with Saints from San Michele (c. 1497-1499) His first known documented commission was for two paintings for the Scuola Grande di San Marco in Venice. The paintings were contracted to depict the Deluge (flood myth) and another scene from Genesis, however their final status is unknown as they were destroyed in a fire ...
Many of the most prominent saints, like Saint Peter and Saint John the Evangelist can also be recognised by a distinctive facial type. Some attributes are general, such as the martyr's palm . [ 4 ] The use of a symbol in a work of art depicting a Saint reminds people who is being shown and of their story.
Kansas City, Nelson-Atkins Museum of Art: 172.5 × 104.5 cm Oil on canvas: c. 1604: John the Baptist: Rome, Galleria Nazionale d'Arte Antica, Palazzo Corsini: 94 × 131 cm Oil on canvas: c. 1604: The Calling of Saints Peter and Andrew: London, Hampton Court Palace – Royal Collection: 140 × 176 cm Oil on canvas: 1605: Christ on the Mount of ...
Annalena Altarpiece with predella by Fra Angelico, c. 1438–40 (frame removed), sometimes considered the "first" instance of the sacra conversazione format [1]. In art, a sacra conversazione (Italian: [ˈsaːkra koɱversatˈtsjoːne]; plural: sacre conversazioni), meaning "holy (or sacred) conversation", is a genre developed in Italian Renaissance painting, with a depiction of the Virgin and ...
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
Saint Sebastian is a painting of the eponymous Christian saint by the Italian Renaissance painter Sandro Botticelli, executed before January 1474 when it was endowed to the church of Santa Maria Maggiore, Florence. Today the panel is housed in the Gemäldegalerie in Berlin. [1] [2]
The two paintings that make up this diptych are both done in an Northern Renaissance style and are the last of Dürer's largescale works. [1] Each panel is 215 cm x 76 cm and features two figures standing in each panel. [2] Saints John and Peter are depicted in the left panel; the figures in the right panel are Saints Mark and Paul.
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