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The San Marco Altarpiece (also known as Madonna and Saints) is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder, and was completed sometime between 1438 and 1443.
The two paintings that make up this diptych are both done in an Northern Renaissance style and are the last of Dürer's largescale works. [1] Each panel is 215 cm x 76 cm and features two figures standing in each panel. [2] Saints John and Peter are depicted in the left panel; the figures in the right panel are Saints Mark and Paul.
The painting shows an uncommon subject, with the Virgin holding the Child who writes on a book, an allusion to his intervention in the Holy Books. On the right is Saint Jerome, recognizable by his cardinal dress, leaving a book on the marble throne where the Madonna sits: in this case this is one of his traditional attributes of knowledge.
Madonna and Child Enthroned with Saints from San Michele (c. 1497-1499) His first known documented commission was for two paintings for the Scuola Grande di San Marco in Venice. The paintings were contracted to depict the Deluge (flood myth) and another scene from Genesis, however their final status is unknown as they were destroyed in a fire ...
The predella included panels with scenes of the saints of the main composition, and a central, double-size Annunciation: the Stygmata of St. Francis and John Baptist in the Desert are currently in the National Gallery of Art in Washington, the Annunciation and The Miracle of St. Zenobius are in the Fitzwilliam Museum of Cambridge, and the Martyrdom of St. Lucy is in the Berlin State Museums.
Annalena Altarpiece with predella by Fra Angelico, c. 1438–40 (frame removed), sometimes considered the "first" instance of the sacra conversazione format [1]. In art, a sacra conversazione (Italian: [ˈsaːkra koɱversatˈtsjoːne]; plural: sacre conversazioni), meaning "holy (or sacred) conversation", is a genre developed in Italian Renaissance painting, with a depiction of the Virgin and ...
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
This was in fact an unusual inclusion in a Gospel book, and images of the Virgin were slow to appear in large numbers in manuscript art until the book of hours was devised in the 13th century. The Madonna of humility by Domenico di Bartolo , 1433, is considered one of the most innovative devotional images from the early Renaissance .
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