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Mood is the general feeling or atmosphere that a piece of writing creates within the reader. Mood is produced most effectively through the use of setting, theme, voice and tone. Tone can indicate the narrator's mood, but the overall mood comes from the totality of the written work, even in first-person narratives .
The mood of a piece of literature is the feeling or atmosphere created by the work, or, said slightly differently, how the work makes the reader feel. Mood is produced most effectively through the use of setting, theme, voice and tone, while tone is how the author feels about something.
[3] While this genre is particularly associated with the second half of the 18th century, it continued in a modified form into the 19th century, especially in the works of Mrs Henry Wood, who is remembered especially for East Lynne (1861). [4] However, the question as to whether Charles Dickens is a sentimental novelist is more debatable.
[1] [2] For Williams, a structure of feeling is “a kind of feeling and thinking which is indeed social and material, but each in an embryonic phase before it can become fully articulate and defined exchange”. [1] Structures of feeling are emergent. They eventually give way to a more generalized or defined form of feeling in general ...
Eliot uses Lady Macbeth's state of mind as an example of the successful objective correlative: "The artistic 'inevitability' lies in this complete adequacy of the external to the emotion….", as a contrast to Hamlet. According to Eliot, the feelings of Hamlet are not sufficiently supported by the story and the other characters surrounding him.
For the "real" reader, he substitutes an implied reader, who is the reader a given literary work requires. Within various polarities created by the text, this "implied" reader makes expectations, meanings, and the unstated details of characters and settings through a "wandering viewpoint".
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He was of Jewish origin. [8] David Merrill Markson was born in Albany, New York, on December 20, 1927. [5] [9]Educated at Union College and Columbia University, Markson began his writing career as a journalist and book editor, periodically taking up work as a college instructor at Columbia University, Long Island University, and The New School.