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Since 20% of the Parthenon's sculpture was destroyed in the Venetian bombardment of 1687, Carrey's work is the sole record of much of this missing section. His red and black chalk drawings, probably taken from life, meticulously record the cracks and other damage, making no attempt to complete missing details.
The last remaining, located at each end of the Parthenon, represent the fight of the Centaurs and Lapiths, but the Central metopes, known only by drawings attributed to Jacques Carrey give rise to controversies of interpretation. Some archaeologists consider that it could be a purely Athenian fight between humans and centaurs.
The pediments of the Parthenon included many statues. The one to the west had a little more than the one to the east. [8] In the description of the Acropolis of Athens by Pausanias, a sentence informs about the chosen themes: the quarrel between Athena and Poseidon for Attica in the west and the birth of Athena in the east.
A smattering of ancient 6 th century B.C. Greek graffiti reveals that a different temple likely existed where the Parthenon now sits.. Clues from drawings made by a shepherd show there was likely ...
The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple. Along with the 64 Metopes of the Parthenon and 28 figures Pediments of the Parthenon, it forms the bulk of surviving sculpture from the building.
The Parthenon's west pediment depicted the contest between Athena and Poseidon over Attica and the east pediment the birth of Athena. [15] Classical archeologists since Johann Joachim Winckelmann's Geschichte der Kunst des Alterthums (published 1764) have recognized Greek pediment sculpture, in particular the pediments of the Parthenon, as the standard of the highest-quality art in antiquity. [16]
A new study has found that the Parthenon sculptures, previously thought to be white, were once painted with elaborate designs and patterns on their garments, using colors such as “Egyptian blue.”
The most important damage caused was the destruction of the Parthenon. The Turks used the temple for ammunition storage, and when, on the evening of 26 September 1687, a mortar shell hit the building, the resulting explosion killed 300 people and led to the complete destruction of the temple's roof and most of the walls.