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A Bitcrusher is an audio effect that produces distortion by reducing the resolution or bandwidth of digital audio data. The resulting quantization noise may produce a "warmer" sound impression, or a harsh one, depending on the amount of reduction.
A coaxial loudspeaker is a loudspeaker system in which the individual driver units radiate sound from the same point or axis. Two general types exist: one is a compact design using two or three speaker drivers, usually in car audio, and the other is a two-way high-power design for professional audio, also known as single-source or dual-concentric loudspeakers. [1]
T-Pain became so associated with Auto-Tune that he had an iPhone app named after him that simulated the effect, "I Am T-Pain". [23] Eventually dubbed the "T-Pain effect", [ 7 ] the use of Auto-Tune became a fixture of late 2000s music, where it was used in other hip hop/R&B artists' works, including Snoop Dogg 's single " Sexual Eruption ...
Electrostatic speakers can have lower harmonic distortion but suffer higher intermodulation distortion. 3% distortion residue corresponds to 1 or 2% total harmonic distortion. Professional monitors may maintain modest distortion up to around 110 dB SPL at 1 m, but almost all domestic speaker systems distort badly above 100 dB SPL.
Many electric guitar players intentionally overdrive their amplifiers (or insert a "fuzz box") to cause clipping in order to get a desired sound (see guitar distortion).. Some audiophiles believe that the clipping behavior of vacuum tubes with little or no negative feedback is superior to that of transistors, in that vacuum tubes clip more gradually than transistors (i.e. soft clipping, and ...
Monsoon logo. Monsoon is a brand of loudspeakers, originally automotive speaker systems and later computer speakers.Monsoon was originally associated with OEM-sourced automotive audio speaker systems, notably supplied on a number of General Motors products and then later expanded onto other manufacturers such as Volkswagen.
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The Cinerama audio soundtrack technology, developed by Hazard E. Reeves, utilized seven discrete sound tracks on full-coat magnetic 35 mm film. The system featured five main channels behind the screen, two surround channels in the rear of the theater, plus a sync track to interlock the four machines, which were specially outfitted with aircraft ...