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Francisco de Goya was born in Fuendetodos, Aragón, Spain, on 30 March 1746 to José Benito de Goya y Franque and Gracia de Lucientes y Salvador. The family had moved that year from the city of Zaragoza , but there is no record of why; likely, José was commissioned to work there. [ 4 ]
Saturn Devouring His Son is a painting by Spanish artist Francisco Goya.It is traditionally considered a depiction of the Greek myth of the Titan Cronus, whom the Romans called Saturn, eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him.
It is signed "Goya in 1795" in the lower right corner. It is in the collection of the Museo del Prado, Madrid, having been acquired from a private collection. Goya portrayed María Cayetana de Silva a number of other times, notably The White Duchess of the same year and the 1797 Portrait of the Duchess of Alba.
Francisco José de Goya y Lucientes (1746–1828) was a Spanish artist, now viewed as one of the leaders of the artistic movement Romanticism. He produced around 700 paintings, 280 prints, and several thousand drawings.
The Victorious Hannibal Seeing Italy from the Alps for the First Time, [1] or Hannibal the victor crossing the Alps, [2] or Hannibal the victorious from the heights of the Alps looks out over the plains of Italy [3] (Spanish: Aníbal vencedor que por primera vez mira Italia desde los Alpes) is an oil painting by Spanish painter Francisco Goya, dating from his early years.
Los disparates (The Follies), also known as Proverbios or Sueños , is a series of prints in etching and aquatint, with retouching in drypoint and engraving, created by Spanish painter and printmaker Francisco Goya between 1815 and 1823.
The Countess of Chinchon (Spanish: Condesa de Chinchón) is an oil-on-canvas portrait painted by the Spanish artist Francisco Goya, c. 1800. It is held in the Museo del Prado , Madrid . The painting depicts María Teresa de Borbón, 15th Countess of Chinchón , who had been encouraged by Queen Maria Luisa of Parma and by opportunism to marry ...
Los Caprichos lack an organized and coherent structure, but they have important thematic nuclei. The most prevalent themes are: the superstition around witches, which predominates after Capricho No. 43 and that serves to express ideas about evil in a tragicomic way; the life and behavior of friars; erotic satire relating to prostitution and the role of the matchmaker; and to a lesser extent ...