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Designed by German architect Stephan Braunfels, the Pinakothek der Moderne was inaugurated in September 2002 after seven years of construction. The $120 million, 22,000-square-meter [ 1 ] building took a decade to finish because of bureaucratic objections to design and cost, which were ultimately bridged by private initiative and financing. [ 2 ]
The Pinakothek der Moderne unifies the Bavarian State Collection of Modern and Contemporary Arts, the National Collection of Works on Paper and the Museum for Design and Applied Arts with the Munich Technical University's Museum of Architecture in one building and is deemed one of the most important and popular museums of modern art in Europe ...
The Alte Pinakothek (German: [ˈʔaltə pinakoˈteːk] ⓘ, Old Pinakothek) is an art museum located in the Kunstareal area in Munich, Germany. [1] It is one of the oldest galleries in the world and houses a significant collection of Old Master paintings.
The Neue Pinakothek (German: [ˈnɔʏ.ə pinakoˈteːk], New Pinacotheca) is an art museum in Munich, Germany. Its focus is European Art of the 18th and 19th centuries, and it is one of the most important museums of art of the nineteenth century in the world. [citation needed]
The area around Königsplatz is home to the Kunstareal, Munich's gallery and museum quarter. It consists also of the three "Pinakotheken" galleries (Alte Pinakothek, Neue Pinakothek and Pinakothek der Moderne), the Lenbachhaus, the Museum Brandhorst and the Staatliche Sammlung für Ägyptische Kunst. The Alte Pinakothek and the Lenbachhaus are ...
The 51-year-old exhibition technician and self-proclaimed “freelance artist” smuggled one of his paintings into the Pinakothek der Moderne in Munich, Germany, on February 26 and hung it on a ...
Its history dates back to 1758 Charles Theodore, Elector of Bavaria (Carl Theodor von der Pfalz) in the Mannheim Palace with his Kupferstich- und Zeichnungskabinett. In 1794, it was brought to Munich because of French troops. In 1839, parts of the collection were first publicly displayed in the Kupferstich-Kabinett of Alte Pinakothek. In 1874 ...
Peter Schjeldahl, reviewing the Pinakothek der Moderne in the New Yorker (January 13, 2003), wrote: "it is a big but self-effacing, "invisible" building: on the outside, a bland concrete-steel-and-glass shoebox; on the inside, a dream of subtly proportioned, shadowless, sugar-white galleries that branch off from an airy, three-story rotunda. In ...
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