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Mood is the general feeling or atmosphere that a piece of writing creates within the reader. Mood is produced most effectively through the use of setting, theme, voice and tone. Tone can indicate the narrator's mood, but the overall mood comes from the totality of the written work, even in first-person narratives .
The mood of a piece of literature is the feeling or atmosphere created by the work, or, said slightly differently, how the work makes the reader feel. Mood is produced most effectively through the use of setting, theme, voice and tone, while tone is how the author feels about something.
Within various polarities created by the text, this "implied" reader makes expectations, meanings, and the unstated details of characters and settings through a "wandering viewpoint". In his model, the text controls. The reader's activities are confined within limits set by the literary work.
Eliot uses Lady Macbeth's state of mind as an example of the successful objective correlative: "The artistic 'inevitability' lies in this complete adequacy of the external to the emotion….", as a contrast to Hamlet. According to Eliot, the feelings of Hamlet are not sufficiently supported by the story and the other characters surrounding him.
The site was created in 2008 by the Organization for Transformative Works and went into open beta in 2009 and continues to be in beta. [2] As of 17 December 2024 [update] , Archive of Our Own hosts over 14,023,000 works in over 68,550 fandoms , including those related to real people. [ 1 ]
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"The Truth of Fact, the Truth of Feeling" is a science fiction story by American writer Ted Chiang. It was first published in 2013 in Subterranean Press.. The story is written as an article by an unnamed journalist in the near future, who tells his experience with a device that endows its users with eidetic memory, interspersed with a fictionalized account of an incident in which writing was ...
So the writer will wait for the reader to release the readtry and then the writer will immediately lock it for itself and all subsequent writers. However, the writer will not be able to access the resource until the current reader has released the resource, which only occurs after the reader is finished with the resource in the critical section ...