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Overblowing is the manipulation of supplied air through a wind instrument that causes the sounded pitch to jump to a higher one without a fingering change or the operation of a slide. Overblowing may involve a change in the air pressure, in the point at which the air is directed, or in the resonance characteristics of the chamber formed by the ...
One saxophonist and teacher, Sigurd Raschèr, spoke out against this change in mouthpiece design. He believed that when used in classical music, the saxophone should sound as its inventor, Adolphe Sax, had intended, and that the gradual change to narrower and "brighter" sounding mouthpieces was a distortion of Sax's tonal concept. His students ...
There are two main types of woodwind instruments: flutes and reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. [1] All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed or a fipple. Despite ...
In music, the bore of a wind instrument (including woodwind and brass) is its interior chamber. This defines a flow path through which air travels, which is set into vibration to produce sounds. The shape of the bore has a strong influence on the instrument's timbre .
A tone hole is an opening in the body of a wind instrument which, when alternately closed and opened, changes the pitch of the sound produced. Tone holes may serve specific purposes, such as a trill hole or register hole. A tone hole is, "in wind instruments[,] a hole that may be stopped by the finger, or a key, to change the pitch of the tone ...
A change in temperature, and only to a much smaller degree also a change in humidity, influences the air density and thus the speed of sound, and therefore affects the tuning of wind instruments. The effect of thermal expansion of a wind instrument, even of a brass instrument, is negligible compared to the thermal effect on the air.
Mutes are not very effective on woodwind instruments because the proportion of sound emitted from the bell varies, meaning the degree of muting changes with the fingering. [55] Furthermore, blocking the open end of a woodwind prevents the lowest note from being played. [56]
Players of woodwind instruments generally create vibrato by modulating their air flow into the instrument. This may be accomplished either through stomach vibrato, the pulsing of the diaphragm slightly up and down, or throat vibrato, a variation of vocal chord tension to manipulate air pressure as singers do.