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The Greco-Buddhist art or Gandhara art is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism. It had mainly evolved in the ancient region of Gandhara , located in the northwestern fringe of the Indian subcontinent .
The Amaravati school of Buddhist art was one of the three major Buddhist sculpture centres along with Mathura and Gandhara and flourished under Satavahanas, many limestone sculptures and tablets which once were plastered Buddhist stupas provide a fascinating insight into major early Buddhist school of arts.
Kushan art blended the traditions of the Greco-Buddhist art of Gandhara, influenced by Hellenistic artistic canons, and the more Indian art of Mathura. [2] Most of the Greco-Buddhist art of Gandhara is thought to have been produced by the Kushans, starting from the end of the 1st century CE. [16]
Indo-Greek art is the art of the Indo-Greeks, who reigned from circa 200 BCE in areas of Bactria and the Indian subcontinent. Initially, between 200 and 145 BCE, they remained in control of Bactria while occupying areas of Indian subcontinent, until Bactria was lost to invading nomads.
Johanna Hanink has attributed the concept of "Greco-Buddhist art" to a European scholarly inability to accept that natives could have developed "the pleasing proportions and elegant poses of sculptures from ancient Gandhara", citing Michael Falser and arguing that the entire notion of "Buddhist art with a Greek 'essence'" is a colonial ...
The major school of arts were the Gandhara School of Art and the Mathura School of Art. The Gandhara school had huge influence of Greek Iconography and the themes were mainly Buddhist. Most prominent among the objects is the Standing Buddha, made in Grey schist stone in Gandhara School of Arts and it belongs to the 2nd century CE. This period ...
The dome at the US Capitol is shrouded in fog earlier this month in Washington. (The Washington Post via Getty Images) (The Washington Post via Getty Images)
Errington entered the School of Oriental and African Studies in 1977 and gained her B.A. Honours in Near and Middle East History and Archaeology in 1980. Errington then worked part-time on her PhD from 1980-1987 on 19th-century archaeology in Gandhara and Afghanistan entitled: The Western Discovery of the Art of Gandhara and the Finds of ...