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Free improvisation or free music is improvised music without any general rules, instead following the intuition of its performers. The term can refer to both a technique—employed by any musician in any genre—and as a recognizable genre of experimental music in its own right.
Improvisation in engineering is to solve a problem with the tools and materials immediately at hand. [17] Examples of such improvisation was the re-engineering of carbon dioxide scrubbers with the materials on hand during the Apollo 13 space mission, [18] or the use of a knife in place of a screwdriver to turn a screw.
Improvisational theatre, often called improvisation or improv, is the form of theatre, often comedy, in which most or all of what is performed is unplanned or unscripted, created spontaneously by the performers.
Improvisation is used in the creation of music, theater, and other various forms. Many artists also use improvisational techniques to help their creative flow. The following are two significant domains that use improvisation: Improvisational theater is a form of theater in which actors use improvisational acting techniques to perform ...
Free jazz: Free improvisation is improvised music without any specific rules. By itself, free improvisation can be any genre, it isn't necessarily jazz. Free jazz musicians make use of free improvisation to alter, extend, or break down jazz convention, often by discarding fixed chord changes, tempos, melodies, or phrases.
Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. [1]
Free Play can be described as the creative activity of spontaneous free improvisation, by children, artists, and people all around the world. According to Stephen Nachmanovitch, free play is more than improvisation. It runs deeper than our activities involving music and art. It is the essence of our being, something we were born with then ...
The history of collaboratively devised performance is as old as the theatre: we see prototypes of contemporary devising practice in ancient and modern mime, in circus arts and clowning, in commedia dell'arte; some cultural traditions, indeed, have always created performance through predominantly collectivist methods (theatre scholar and performance maker Nia Witherspoon, for instance, has ...