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Following the re-issue of the six original studio albums in 2001, this was the first Blondie "Best of" compilation to be digitally remastered, the first Blondie "Best of" to be officially sanctioned by the band for over 20 years, and also the first to include their comeback hit "Maria", a UK #1 in February 1999.
Blondie 4(0) Ever is a double album by American rock band Blondie.It was released on May 12, 2014, by Noble ID in celebration of the band's 40th anniversary. The two-disc package consists of Greatest Hits Deluxe Redux, a collection of re-recordings of Blondie's past singles, and the band's tenth studio album, Ghosts of Download.
The Best of Blondie (released in Germany and the Netherlands as Blondie's Hits) is the first greatest hits album by American rock band Blondie. It was released in October 1981, by Chrysalis Records. [5] The album peaked at number four in the United Kingdom and number 30 in the United States, while becoming the band's only number-one album in ...
Blondie's next single in the US was a more aggressive rock song, "One Way or Another" (US number 24), [4] though in the UK, an alternate single choice, "Sunday Girl", became a number one hit. [26] Parallel Lines has been ranked number 140 on Rolling Stone's list of 500 greatest albums of all time. [34]
† Live at CBGB's 1977 was released as a bonus DVD in the deluxe edition of Blondie 4(0) Ever, which includes Greatest Hits Deluxe Redux and Ghosts of Download, the band's 10th studio album. Music videos
Atomic: The Very Best of Blondie is a greatest hits album by American rock band Blondie, released on July 13, 1998, by Chrysalis Records, at the time when the band reunited and shortly before the beginning of their successful comeback tour.
The CD contains the band's greatest hits including their comeback hit "Maria", a UK #1 in 1999, as well as tracks from their latest studio album The Curse of Blondie, a new remix of "In The Flesh" and a mashup of "Rapture" and The Doors' "Riders on the Storm" entitled "Rapture Riders", which was a top ten hit on the U.S. Hot Dance Club Play chart in 2005. [3]
The Independent named the song the third best Blondie song, writing "Blondie make this song their own by injecting a previously absent sense of urgency to the build, with Harry's tone developing from stern to desperate as she begs: 'Hang up and run to me. ' " [17] The Guardian ranked the song as the band's fourth best, calling the song "far ...