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The walls were rubbed with wire brushes to bring up the grain and create an "aged" surface. Next, a solid coat of off-white paint was applied, followed by a "dragged" coating of blue paint. This was sealed using a bar of wax dabbed in pure dry blue pigment, and finally, the surface was lightly distressed to tiny specks of white in the ...
The walls are hung with a chamois-colored wallpaper imprinted with medallions of burnished gold. It is adapted from an early 19th-century American Empire wallpaper having French influences. The upper border is a faux printed blue fabric drapery swag. The faux fabric border is similar in effect to an actual fabric border installed during the ...
The refurbishment retained most of the Nixon-era Conger and Jones design. Walls were again hung in silk, but this time in a more vertical and largely scaled moiré pattern and a darker shade. The coral color in the upholstered chairs and in the striped drapery fabric was intensified to a more vibrant shade bordering on vermilion.
Seesaw Cream Nursery Power Recliner Chair. ... The Conran Shop Small Stripe Vase. $35 $70 Save $35. ... abstract fiber wall hangings and wooden tapered legs on sofas, chairs and tables. In fact, I ...
Refined powder-blue cabinets and a sinuous floral wallcovering by William Morris ... and trellis-patterned walls. Braided grass cloth wallpaper and linen voile slipcovers lend textural beauty to ...
The technique used by Morris for making wallpaper was described in some detail in Arts and Crafts Essays by Members of the Arts and Crafts Exhibition Society published in 1893. The chapter on wallpaper was written by Walter Crane. He describes how the wallpapers of Morris were made using pieces of paper thirty-feet long and twenty-one inches wide.
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