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Argent, an orle gules. In heraldry, an orle is a subordinary consisting of a narrow band occupying the inward half of where a bordure would be, following the exact outline of the shield but within it, showing the field between the outer edge of the orle and the edge of the shield.
A large number (usually eight) of any one charge arranged as if upon an invisible bordure is said to be in orle, an orle being a diminutive band within the bordure. [26] Most small charges can be depicted as semé, e.g. semé of roses, semé of estoiles, and so forth. In English heraldry, several types of small charges have special terms to ...
In 2000, Waters began his professional career as a band director, staying on with The Ohio State University Marching Band as a graduate assistant. In 2002 he was hired as an assistant director. Upon the retirement of director Jon Woods in September 2011, Waters was given the role of interim director. [ 3 ]
Like the bordure the orle takes on the shape of the shield or flag it is on. Although the orle's diminutive is the tressure, there are examples of "fillet orles" (orles narrower than usual). When a number of charges are arranged as if on a bordure, they are said to be in orle or to form an orle of such charges. It is often said that an orle may ...
The Rarely Herd toured extensively on the festival circuit, where audiences enjoyed their close vocal harmonies and high energy performances. In 1997 they performed in Scarborough, Ontario, Canada as part of the Bluegrass Sundays Concert Series organized by the Northern Bluegrass Committee. [2]
"Argent a fess gules" In heraldry, a fess or fesse (from Middle English fesse, Old French faisse, [1] and Latin fascia, "band") [2] is a charge on a coat of arms (or flag) that takes the form of a band running horizontally across the centre of the shield. [3]
Orle; Fillet (heraldry) This article incorporates text from a publication now in the public domain: Chambers, Ephraim, ed. (1728). "Bordure". Cyclopædia, or an Universal Dictionary of Arts and Sciences (1st ed.). James and John Knapton, et al.
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