Search results
Results from the WOW.Com Content Network
This is an accepted version of this page This is the latest accepted revision, reviewed on 27 December 2024. Attitude, behavior, appearance, or style which is generally admired "Coolness" redirects here. For the reciprocal of temperature, see thermodynamic beta. Look up cool in Wiktionary, the free dictionary. Coolness, or being cool, is the aesthetic quality of something (such as attitude ...
Aesthetics of music is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music. [1] In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization.
Meyer used this basis to form a theory about music, combining musical expectations in a specific cultural context with emotion and meaning elicited. [1] His work went on to influence theorists both in and outside music, as well as providing a basis for cognitive psychology research into music and our responses to it.
COOL Award, children's book choice award; Cool colors, a perceptual and psychological classification of colors; Cool pavement, road surface that uses additives to reflect solar radiation unlike conventional dark pavement
[129] [130] He subsequently published The Aesthetics of Architecture (1979), The Aesthetic Understanding (1983), The Aesthetics of Music (1997), [9] and Beauty (2010). In 2008 a two-day conference was held at Durham University to assess his impact in the field, [ 131 ] and in 2012 a collection of essays, Scruton's Aesthetics , edited by Andy ...
When Taylor Swift drops new music, fans know to look out for everything around the songs. The outfits, the fonts, the music videos and more also tell a story — the story of that album’s aesthetic.
Leonard B. Meyer, in Emotion and Meaning in Music (1956), [1] distinguished "formalists" from what he called "expressionists": "...formalists would contend that the meaning of music lies in the perception and understanding of the musical relationships set forth in the work of art and that meaning in music is primarily intellectual, while the expressionist would argue that these same ...
He mainly writes on aesthetics, particularly the philosophy of music but also works on political philosophy. [2] He is a past president of the American Society for Aesthetics (2007–2008), and the New Zealand division of the Australasian Association of Philosophy (2001).