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The literal meaning of shayar (shaa'ir) is poet. [5] There are more than 30 types of Urdu poetry, also known as shayari. Examples of shayari are ghazal, sher, nazm, marsiya, qita and many more. [6] Traditionally, that this form of poetry is often read to an audience in a special setting called mehfil.
Naʽat (Bengali: নাত and Urdu: نعت) is poetry in praise of the Islamic prophet, Muhammad. The practice is popular in South Asia (Bangladesh, Pakistan and India), commonly in Bengali, Punjabi, or Urdu. People who recite Naʽat are known as Naʽat Khawan or sanaʽa-khuaʽan.
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
In the Akbar era the word Rekhta was used to describe Urdu for the first time. It was originally a Persian word that meant "to create a mixture". Amir Khusrau was the first person to use the same word for Poetry. [87]
from Hindi and Urdu: An acknowledged leader in a field, from the Mughal rulers of India like Akbar and Shah Jahan, the builder of the Taj Mahal. Maharaja from Hindi and Sanskrit: A great king. Mantra from Hindi and Sanskrit: a word or phrase used in meditation. Masala from Urdu, to refer to flavoured spices of Indian origin.
Muhammad Iqbal, then president of the Muslim League in 1930 and address deliverer "Sare Jahan se Accha" (Urdu: سارے جہاں سے اچھا; Sāre Jahāṉ se Acchā), formally known as "Tarānah-e-Hindi" (Urdu: ترانۂ ہندی, "Anthem of the People of Hindustan"), is an Urdu language patriotic song for children written by poet Allama Muhammad Iqbal in the ghazal style of Urdu poetry.
This is a ten-syllable bahr and by the standards of Urdu poetry, is a chotii (small) bahr. As with the scansion of Persian poetry, a syllable such as miid or baat consisting of a long vowel plus consonant, or sharm consisting of a short vowel and two consonants, is "overlong", and counts as a long syllable + a short one. [3]
The Urdu ghazal makes use of two main rhymes: the radif and qaafiya. [9] The radif is a repeating refrain consisting of a single word or short phrase that ends every second line in the ghazal. [9] However, in the matla, the first she'r of a ghazal, the radif will end both lines of the she'r. [8] The qaafiya is a rhyming syllable that precedes ...