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In Dante's Divine Comedy, the Fates are mentioned in both Inferno (XXXIII.126) and Purgatorio (XXI.25-27, XXV.79-81) by their Greek names, and their traditional role in measuring out and determining the length of human life is assumed by the narrator. Macbeth and Banquo meeting the three weird sisters in a woodcut from Holinshed's Chronicles.
The Fates shape the destiny of each human, often expressed in textile metaphors such as spinning fibers into yarn, or weaving threads on a loom. The trio are generally conceived of as sisters and are often given the names Clotho, Lachesis, and Atropos, which are the names of the Moirai, the version of the Fates who appear in Greek mythology.
As one of the three fates, her influence in Greek mythology was significant. Along with her sisters and Hermes , Clotho was given credit for creating the alphabet for their people. Even though Clotho and her sisters were worshiped as goddesses, their representation of fate is more central to their role in mythology.
Lachesis (/ ˈ l æ k ɪ s ɪ s / LAK-iss-iss; Ancient Greek: Λάχεσις, romanized: Lákhesis, lit. 'disposer of lots'; from λαγχάνω lanchánō, 'to obtain by lot, by fate, or by the will of the gods'), in ancient Greek religion, was the middle of the Three Fates, or Moirai; the others were her sisters, Clotho and Atropos.
Heimarmene or Himarmene (/ h aɪ ˈ m ɑːr m ɪ n iː /; Ancient Greek: Εἱμαρμένη) is a goddess and being of fate/destiny in Greek mythology (in particular, the orderly succession of cause and effect, or rather, the fate of the universe as a whole, as opposed to the destinies of individual people).
The construction of the shield also allegorises the role of fate in the Iliad. [3] Fate in ancient Greek mythology is unchangeable even by the gods, because it is the three Moirai that spin the destiny of each human life like a thread from the laws of the universe .
Destiny, sometimes also called fate (from Latin fatum 'decree, prediction, destiny, fate'), is a predetermined course of events. [ 1 ] [ 2 ] It may be conceived as a predetermined future, whether in general or of an individual.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.