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Under this revised system, television programming would continue to fall into one of the six ratings categories (TV-Y, TV-Y7, TV-G, TV-PG, TV-14 or TV-MA), but content descriptors would be added to the ratings where appropriate, based on the type(s) of objectionable content included in the individual program or episode: D (suggestive dialogue ...
For films and television programs that are rated PG-13/TV-14 or R/TV-MA (or of the hard R/18 [in the UK] variety), this can also be applicable to sex scenes that are not quite explicit, realistic or strong. (HBO and Cinemax originally labeled this descriptor as Adult Situations from February to June 1994.) Basically, it means inappropriate ...
As the rating increases pertaining to the age, the content matters generally get more intensive. The 'suggestive dialogue' descriptor is used for TV-PG and TV-14 rated programmes only, although certain networks may choose to rate their TV-MA programmes with the descriptor, while the DLSV sub-ratings are only used with the TV-PG and TV-14 ratings.
Drug use content is restricted to PG-13 and above. [3] An example of an otherwise PG film being assigned a PG-13 rating for a drug reference (momentary, along with brief language) is Whale Rider. The film contained only mild profanity, but was rated PG-13 because of a scene where drug paraphernalia were briefly visible.
1. 13 Going On 30 (2004). Cast: Jennifer Garner, Mark Ruffalo, Judy Greer, Andy Serkis Rating: PG-13 Director: Gary Winick Run Time: 98 minutes Oh, to be "30, flirty and thriving." In this classic ...
PG 13: Customer may be aged 13 years and under, but must be accompanied by someone 13 years old or older. Please note content may not be appropriate for 13 years and below, booking to be at the discretion of guardians and parents.
Director has exclusively made PG-13 films since 2002’s ‘Insomnia’ Christopher Nolan fans ‘stunned’ as Oppenheimer gets director’s first R-rating in 20 years Skip to main content
Jaws (1975): The original blockbuster is a lot slower than you remember, proof that so few of the films it inspired took heed of its central filmmaking message: Tease, tease, tease, make them wait ...