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After the funeral, the coffin portrait would often be hung on the walls of the church that the deceased had contributed to. In time, they increased in size – from 40 x 45 cm in the 17th century, to 70 x 72 cm in the 18th century. Coffin portraits on display at Poznań Cathedral, painters unknown.
Sizes of the altars could range from miniature examples to 2 meters tall. [12] Some carried busts or statues or portraits of the deceased. [ 12 ] The simplest and most common form of a funerary altar was a base with a pediment , often featuring a portrait or epitaph, on top of the base. [ 25 ]
Funeral lekythoi were often painted in the white ground technique. The kylix, popular at symposiums, was a stout drinking cup with a very wide bowl. A well known potter of kylikes was Exekias. After being formed separately on the potter's wheel, the bowl and stem would be left to dry. The cup would then be placed upside down to attach the handles.
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Funeral of Giuseppe Verdi: January 30, 1901 Italy: Milan: 10,000 (private ceremony) [12] February 27, 1901: 300,000 (State funeral) [12] Funeral of Sholem Aleichem: May 13, 1916 United States: New York City: at least 250,000 [13] Funerals of Rosa Luxemburg and Karl Liebknecht: June 13, 1919 Weimar Republic: Berlin: 200,000 [14] Funeral of ...
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