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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
The first statement of a musical idea is designated A. Subsequent contrasting sections are labeled B, C, D, and so on. If the first or any other musical unit returns in varied form, then that variation is indicated by a superscript number—A 1 and B 2, for example. Subdivisions of each large musical unit are shown by lowercase letters (a, b ...
A Baroque form of concerto, with a group of solo instruments Da capo aria: from the head aria: A three-section musical form Dramma giocoso: jocular drama: A form of opera Dramma per musica: drama for music: Libretto Fantasia: fantasy: A musical composition or “idea” typified by improvisation Farsa: farce: A one-act comical opera Festa ...
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Period built of two five-bar phrases in Haydn's Feldpartita in B ♭, Hob. II:12. [1] Diagram of a period consisting of two phrases [2] [3] [4]. In music theory, a phrase (Greek: φράση) is a unit of musical meter that has a complete musical sense of its own, [5] built from figures, motifs, and cells, and combining to form melodies, periods and larger sections.
After deciding on an agreement, the guy asked if he could make a statement. At the end of his statement, he said "and tell {the woman} to go f**k herself." He got an additional 6 months of prison.
In Schoenberg's view, "the sentence is a higher form of construction than the period. It not only makes a statement of an idea, but at once starts a kind of development". [3] Schoenberg's conception of the sentence has been widely adopted in music theory, and appears in many introductory music theory textbooks.