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The album art of other musicians has been influenced by Blue Note's covers, including Elvis Costello's Almost Blue (1981), whose cover is an homage to Burrell's Midnight Blue (1963), Van Morrison's The Skiffle Sessions – Live in Belfast (1998), which has a cover inspired by Blakey's Free for All (1965), and Aesop Rock's Float (2000), whose ...
JMEnternational/Getty Images Designer Brent David Freaney is sharing the inspiration behind Charli XCX's viral cover art for her celebrated breakthrough album, Brat – and the months-long process ...
Album covers are one of the various ways in which first impressions affect an audience's perception of a given musician or band, or other content of the album. [3] Album covers' design cover may also add to how an audience forms an opinion of them and their music. There are various ways in which an album cover is visualized. Some examples ...
Harper's Magazine, June 1896, by Edward Penfield. Cover art is a type of artwork presented as an illustration or photograph on the outside of a published product, such as a book (often on a dust jacket), magazine, newspaper (), comic book, video game (), music album (), CD, videotape, DVD, or podcast.
Some album covers prove controversial due to their titles alone. When the Sex Pistols released Never Mind The Bollocks… in 1977, a record shop owner in Nottingham named Chris Searle was arrested ...
His Microdot graphic design company created the album cover for Oasis' debut album, Definitely Maybe in 1994. [2] Two of Cannon's record sleeve designs—Definitely Maybe (#14) and "This Is Music" (#79)—featured in Q magazine's "The Hundred Best Record Covers Of All Time" list published in 2001. [3]
Yet the label hired the esteemed pin-up photographer Peter Gowland, who died in 2010, to shoot the Blue Album’s cover: Cuomo, Sharp, Bell and Wilson standing against a blue background. Bell: We ...
Hipgnosis' approach to album design was strongly photography-oriented, and they pioneered the use of many innovative visual and packaging techniques. In particular, Thorgerson and Powell's surreal, elaborately manipulated photos (utilizing darkroom tricks, multiple exposures, airbrush retouching, and mechanical cut-and-paste techniques) were a ...