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Kunar River Lake in Nangarhar. The Goshta district is located on the Durand Line between Afghanistan and the Khyber Pakhtunkhwa province of Pakistan. From the highlands that define the border, dry hilly country with seasonal streams slopes down to the flat land along the north side of the Kunar river valley where most of the people live, at an elevation of about 540 m.
In Hinduism, Daksha (Sanskrit: दक्ष, lit. 'able, dexterous, or honest one' IAST: Dakṣa, [2]) is one of the prajapati [broken anchor], the agents of creation, as well as a divine king-rishi.
Dattaram Maruti Mirasdar (14 April 1927 – 2 October 2021), popularly known by his initials ("D Ma" and also as "Dadasaheb") was a Marathi writer and narrator principally of humorous stories.
The Sadou Asom Lekhika Samaroh Samiti (lit. ' All Assam Writer's Convention Committee ') is a non-government women’s literary organisation in Assam, India.It was founded in 1974 to unite and emancipate the women of Assam through creative pursuits, especially literature.
Chhatrapati Shivaji Maharaj (1630–1680 CE), was the founder of the Maratha Empire in India. He is considered a prominent historical figure in India. A number of films, books, plays and television serials have been produced about his life and about figures associated with him.
Gopalakrishnayya was born in Penuganchiprolu in the Nandigama taluk of Krishna District in 1889 in a Brahmin family. [2] His father, Kodandaramaswamy, was a school teacher but came from a family of landlords from Guntur and his mother Sitamma died soon after giving birth to him, her only child.
Cremation of Bhai Bala, ca.1825–1849 painting A rare Tanjore style painting from the late 19th century depicting the ten Sikh Gurus with Bhai Bala and Bhai Mardana.. Bhai Bala (Punjabi: ਭਾਈ ਬਾਲਾ, romanized: Bhāī Bālā; 1466–1544) was a companion of Guru Nanak.
The Pancharatna kritis were written in praise of the Hindu deity Rama.They are set to Adi Tala and each raga represents the mood of the song and the meaning of its lyrics. All the kritis were composed in the style of a Ragam Tanam Pallavi (RTP) with the charanams (stanzas) substituting for the kalpana swaras (improvisatory passages) in the pallavi section of the RTP.