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Several house tracks became #1 hits on the UK Singles Chart, starting with Chicago musician Steve "Silk" Hurley's "Jack Your Body" (1987). The first house record considered to be a major hit overseas is "Love Can't Turn Around" by Farley "Jackmaster" Funk and Jesse Saunders featuring Darryl Pandy, which peaked at #10 in the UK Singles Chart in ...
The title refers to jacking, an ecstatic dance style that emerged within the Chicago house scene since the early to mid 1980s. The song climbed to number 25 on the US Billboard Hot Dance/Disco Club Play chart and number 37 on the 12-inch Singles Sales chart. The song became a hit in the United Kingdom, reaching number one for two weeks in ...
"Love Can't Turn Around" is a 1986 Chicago house song by American musicians, DJs and record producers Farley Keith Williams a.k.a. Farley "Jackmaster" Funk and Jesse Saunders featuring vocalist Darryl Pandy. It holds an important place in the history of house music as the first record in that genre to cross over from the US clubs to the UK ...
In 1986, WBMX DJ and house music producer Farley Keith had stunned the Chicago community when he hit the top-10 of the UK Singles Chart with "Love Can't Turn Around," released under the alias Farley "Jackmaster" Funk. Hurley claimed the track was a blatant theft of one of his own productions, and the two stopped speaking to each other. [9]
Coming from a Broadway and opera background, [2] Pandy was a lead vocalist in the choir of Chicago's Church of Universal Awareness. [3]He is mostly known for performing one of the first international hits in house music, Farley "Jackmaster" Funk's 1986 song "Love Can't Turn Around", which he also sang live in a "flamboyant performance" [3] on the British TV show Top of the Pops that made him ...
The Warehouse, where DJ Frankie Knuckles helped introduce house music, got landmark status ahead of this weekend’s Chicago House Music The post The Warehouse, synonymous with house music ...
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House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [11] It was created by DJs and music producers from Chicago's underground club culture that consisted of Black gay men and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.