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English: A triple version of Lamentations in Hebrew, Aramaic, and Arabic. The scribe copied each verse three times, first in Hebrew (masoretic text with Tiberian vocalization and notes), then in Aramaic (Targum with Babylonian supralinear vocalization), and finally in Arabic (the Tafsir of Sa`adia Gaon in the customary Hebrew letters of Judeo-Arabic).
[3] [7] [23] In many manuscripts and for Synagogue use, Lamentations 5:21 is repeated after verse 22, so that the reading does not end with a painful statement, a practice which is also performed for the last verse of Isaiah, Ecclesiastes, and Malachi, [24] "so that the reading in the Synagogue might close with words of comfort". [25]
Robert Jamieson (1802–1880) was a minister at St Paul's Church, Provanmill in Glasgow.Andrew Fausset (1821–1910) was rector of St Cuthbert’s Church in York. [1] David Brown (1803–1897) was a Free Church of Scotland minister at St James, Glasgow, and professor of theology at Free Church College of the University of Aberdeen.
Originally based on the AV/KJV, with Greek and Hebrew transliterated and explained, the series is being rewritten based on the RSV or NIV (at the individual author's discretion), and space is being assigned more equitably. Several of the volumes of this new edition are, within the constraints of the series, outstanding (e.g., Marshall on Acts).
The Word Biblical Commentary (WBC) is a series of commentaries in English on the text of the Bible both Old and New Testament. It is currently published by the Zondervan Publishing Company . Initially published under the "Word Books" imprint, the series spent some time as part of the Thomas Nelson list.
This is an outline of commentaries and commentators.Discussed are the salient points of Jewish, patristic, medieval, and modern commentaries on the Bible. The article includes discussion of the Targums, Mishna, and Talmuds, which are not regarded as Bible commentaries in the modern sense of the word, but which provide the foundation for later commentary.
The Biblical lyrics reference Lamentations 3:22-23. [2] The song was exposed to wide audiences after becoming popular with Dr. William Henry Houghton of the Moody Bible Institute and Billy Graham, who used the song frequently on his international crusades. [3]
It contains three types of commentary: (1) the p'shat, which discusses the literal meaning of the text; this has been adapted from the first five volumes of the JPS Bible Commentary; (2) the d'rash, which draws on Talmudic, Medieval, Chassidic, and Modern Jewish sources to expound on the deeper meaning of the text; and (3) the halacha l'maaseh ...
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