Search results
Results from the WOW.Com Content Network
The song's lyrics are an example of double entendre ("doble sentido" in Spanish [4]) in Hispanic popular song, according to social scientist Marcelino Canino Salgado. The image of the broken water jug (el cántaro roto) is an old and common metaphor for the loss of virginity in Latin and Latin American culture. [ 5 ]
Reverso is a French company specialized in AI-based language tools, translation aids, and language services. [2] These include online translation based on neural machine translation (NMT), contextual dictionaries, online bilingual concordances, grammar and spell checking and conjugation tools.
Cucurrucucú paloma" (Spanish for Coo-coo dove) is a Mexican huapango-style song written by Tomás Méndez in 1954. [1] The title is an onomatopeic reference to the characteristic call of the mourning dove, which is evoked in the refrain. The lyrics allude to love sickness.
Help; Learn to edit; Community portal; Recent changes; Upload file; Special pages
"El Son de la Negra" (lit. The Song of the Black Woman) is a Mexican folk song, originally from Tepic, Nayarit, [1] before its separation from the state of Jalisco, and best known from an adaptation by Jalisciense musical composer Blas Galindo in 1940 for his suite Sones de mariachi.
Spanish English translation; Guadalajara, Guadalajara. Guadalajara, Guadalajara. Tienes el alma de provinciana, Hueles a limpia rosa temprana A verde jara fresca del rio, Son mil palomas tu caserio, Guadalajara, Guadalajara, Hueles a pura tierra mojada. Ay ay ay ay! Colomitos lejanos. Ay! Ojitos de agua hermanos. Ay! Colomitos inolvidables,
[1] [41] The first Portuguese translation and recording of "Llorando Se Fue" – as "Chorando Se Foi" – was released by Brazilian singer Márcia Ferreira in 1986 under her third album. [ 28 ] The French managers Olivier Lorsac (aka Olivier Lamotte d'Incamps) and Jean Georgakarakos formed the band Kaoma in France after Lorsac was exposed to ...
"El Niágara en Bicicleta" was released as the album's third single in 1999 by Karen Records. [12] [13] A live version of the track was included on his albums A Son de Guerra Tour (2013) and Entre Mar y Palmeras (2022), respectively.