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Rolling Stone readers named the song one of Dylan's best post-1960s songs, with the magazine calling it "a brilliant six-minute tune about a twisted figure", noting the song's biblical [15] imagery. [16] A Rolling Stone critics poll listed "Jokerman" at #46 on its list of 100 Greatest Bob Dylan Songs. [17]
Junior Marvin (Bob Marley and The Wailers) J Mascis (Dinosaur Jr) Hideto Matsumoto ; Tak Matsumoto ; Brian May ; John Mayer (John Mayer Trio) Nick McCabe ; Andy McCoy (Hanoi Rocks) Mike McCready (Pearl Jam, Temple of the Dog, Mad Season) Jimmy McCulloch (Wings, Thunderclap Newman, Stone the Crows, Small Faces, The Dukes)
In 1965, he played on Bob Dylan's Highway 61 Revisited, including the single "Like a Rolling Stone", and performed with Dylan at that year's Newport Folk Festival. Bloomfield was ranked No. 22 on Rolling Stone 's list of "100 Greatest Guitarists of All Time" in 2003 [ 2 ] and No. 42 by the same magazine in 2011. [ 3 ]
This list of guitarists includes notable musicians, known principally for their guitar playing, for whom there is an article in Wikipedia. Those who are known mainly as bass guitarists are listed separately at List of bass guitarists .
“The Bob Dylan revealed on Time Out of Mind is a man ... “Like a Rolling Stone” peaked at No. 2 on the ... To see our running list of the top 100 greatest rock stars of all time, click ...
He was ranked 37th in Rolling Stone magazine's 2011 list of the 100 greatest guitarists of all time. [1] Guns N' Roses guitarist Slash states that Taylor has had the biggest influence on him. Biography
The 100 Greatest Artists of All Time" is a special issue published by Rolling Stone in two parts in 2004 and 2005, and later updated in 2011. [1] The list presented was compiled based on input from musicians, writers, and industry figures and is focused on the rock & roll era.
Fred Lincoln "Link" Wray Jr. (May 2, 1929 – November 5, 2005) was an American guitarist, songwriter, and vocalist who became popular in the late 1950s. His 1958 instrumental single "Rumble", reached the top 20 in the United States; and was one of the earliest songs in rock music to utilize distortion and tremolo.