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Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
In 2010, Lee set a Guinness World Record for "world's fastest violinist" by playing "Flight of the Bumblebee" in 64.21 seconds, [3] [failed verification] and later set the record for "fastest electric violinist" in 2013. He had also previously held the Guinness World Record as the world's fastest violin player for four years.
A diatonic passing chord may be inserted into a pre-existing progression that moves by a major or minor third in order to create more movement." [4] "'Inbetween chords' that help you get from one chord to another are called passing chords." [5] For example, in the simple chord progression in the key of C Major, which goes from Imaj7/iii7/ii7/V7 ...
The head of the Transportation Security Administration on Thursday warned that an extended partial U.S. government shutdown could lead to longer wait times at airports. TSA, which handles airport ...
The song "Ode to Mel Bay" (written and first recorded by Michael "Supe" Granda of the Ozark Mountain Daredevils and featured on the album The Day Finger Pickers Took Over the World by Tommy Emmanuel and Chet Atkins), is a light-hearted song about Mel Bay's encyclopedia of guitar chords and the books in general.
A report on proposed changes to U.S. dietary guidelines suggests encouraging Americans to eat more beans and lentils for protein and less red meat.
A former Tennessee teacher who got pregnant after raping a 12-year-old boy pleaded guilty and has been sentenced to 25 years in prison with no parole. On Dec. 20, Alissa McCommon, 39, of Covington ...
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).