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Lascaux (English: / l æ ˈ s k oʊ / la-SKOH, [1] US also / l ɑː ˈ s k oʊ / lah-SKOH; [2] French: Grotte de Lascaux [ɡʁɔt də lasko], [3] "Lascaux Cave") is a network of caves near the village of Montignac, in the department of Dordogne in southwestern France. Over 600 parietal wall paintings cover the interior walls and ceilings of the ...
A 16,000-year-old piece of art from the Lascaux cave in France Magdalenian Horse, c. 15,000 BCE, Musée d'Archéologie Nationale, France. Cave art. Chufin cave (Spain) – small cave with engravings, stick figures, and artwork schematically portraying red deer, goats and cattle.
The inhabitants of the Franco-Cantabrian region produced some of the finest Paleolithic mural art, such as this horse at Lascaux Cave, Dordogne. Map of the Franco-Cantabrian region, showing the main caves containing mural art.
Lascaux, Horse, c. Stone Age cave painting George Stubbs, Whistlejacket, c. 1762, National Gallery, London. Horses have appeared in works of art throughout history, frequently as depictions of the horse in battle. The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of ...
Cave sites such as Lascaux contain the best known examples of Magdalenian cave art. The site of Altamira in Spain, with its extensive and varied forms of Magdalenian mobiliary art has been suggested to be an agglomeration site where groups of Magdalenian hunter-gatherers congregated. [11]
Rock art paintings of aurochs at the Upper Palaeolithic cave site of Lascaux in southwestern France. Rock art has been produced in Europe since the Upper Palaeolithic period through to recent centuries. It is found in all of the major regions of the continent. [1] One of the most famous examples of parietal art is the Grotte Chauvet in France. [2]
Pech Merle is a French hillside cave at Cabrerets, in the Lot département of the Occitania region, about 32 kilometres (19.88 miles) east of Cahors, by road.It is one of the few prehistoric cave painting sites in France that remains open to the general public, albeit with an entry fee.
Breuil was a competent draughtsman, reproducing faithfully the cave paintings he encountered. In 1924 he was awarded the Daniel Giraud Elliot Medal from the National Academy of Sciences. [5] He published many books and monographs, introducing the caves of Lascaux and Altamira to the general public and becoming a member of the Institut de France ...
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