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The face that Neave constructed suggested that Jesus would have had a broad face and large nose, and differed significantly from the traditional depictions of Jesus in renaissance art. [82] Additional information about Jesus' skin color and hair was provided by Mark Goodacre, a New Testament scholar and professor at Duke University. [82]
This category is for specific works that include depictions of Jesus in the visual arts. For articles covering ways of depicting scenes or types of depictions of Jesus in general, see the sub-category Category:Iconography of Jesus. For images of Jesus as an infant with his mother, see Category:Madonna and Child in art.
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
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Mary now lies recovering on a large stuffed cushion or couch ("kline" in Greek) beside the infant, who is on a raised structure, [15] whilst Joseph rests his head on his hand. [16] He is often part of a separate scene in the foreground, where Jesus is being bathed by midwives (Jesus is therefore shown twice).
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In antiquity, the cross, i.e. the instrument of Christ's crucifixion (crux, stauros), was taken to be T-shaped, while the X-shape ("chiasmus") had different connotations.. There has been scholarly speculation on the development of the Christian cross, the letter Chi used to abbreviate the name of Christ, and the various pre-Christian symbolism associated with the chiasmus interpreted in terms ...