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The Ottoman Divan poetry tradition embraced the influence of the Persian and, to a lesser extent, Arabic literatures. As far back as the pre-Ottoman Seljuk period in the late 11th to early 14th centuries CE, this influence was already being felt: the Seljuks conducted their official business in the Persian language, rather than in Turkish, and the poetry of the Seljuk court was highly ...
Ottoman Divan poetry was a highly ritualized and symbolic art form. From the Persian poetry that largely inspired it, it inherited a wealth of symbols whose meanings and interrelationships—both of similitude (مراعات نظير mura'ât-i nazîr / تناسب tenâsüb ) and opposition (تضاد tezâd )—were more or less prescribed.
This is a list of poets who wrote under the auspices of the Ottoman Empire, or — more broadly — who wrote in the tradition of Ottoman Dîvân poetry.
Ottoman Divan poetry was a highly ritualized and symbolic art form. From the Persian poetry that largely inspired it, it inherited a wealth of symbols whose meanings and interrelationships—both of similitude (مراعات نظير mura'ât-i nazîr / تناسب tenâsüb ) and opposition (تضاد tezâd )—were more or less prescribed.
Ottoman Divan poetry was a highly ritualized and symbolic art form. From the Persian poetry that largely inspired it, it inherited a wealth of symbols whose meanings and interrelationships—both of similitude (مراعات نظير mura'ât-i nazîr / تناسب tenâsüb ) and opposition (تضاد tezâd )—were more or less prescribed.
The first dīwān was created under Caliph Umar (r. 634–644 CE) in 15 A.H. (636/7 CE) or, more likely, 20 A.H. (641 CE). It comprised the names of the warriors of Medina who participated in the Muslim conquests and their families, and was intended to facilitate the payment of salary (ʿaṭāʾ, in coin or in rations) to them, according to their service and their relationship to Muhammad.
Bâkî lived during the height of the Ottoman Empire, and this affected his poetry greatly. Love, the joy of living, and nature are the primary subjects of his poems. Although almost no Sufi influence is found in his poetry—as it is in many other Ottoman-era poets—his concept of love as revealed in his poetry was not entirely divorced from the Sufi concept t
In 1853, he published a collection of poems called Divan-i Şinasi. He is frequently labeled the "founder of the modern school of Ottoman literature." [20] He earned this title based on his alteration of the Turkish verse to be more consistent with the French model and his translation of many French poems into Turkish. "He drew attention to ...