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No well-known sets of 24 pieces include A# minor. Two examples are from Bartolomeo Campagnoli's 30 Preludes for violin, and Christian Heinrich Rinck's 30 Préludes from his Practical Organ School, Op. 55, published before 1821. or A# minor: 7 sharps 23 Either B major: 5 sharps No well-known sets of 24 pieces include C♭ major.
Many classical and later composers have written compositions in the form of variations on a theme by another composer. This is an incomplete list of such works, sorted by the name of the original composer. The list does not include variations written on composers' own or original themes, or on folk, traditional or anonymous melodies.
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [ 1 ] [ 2 ] although examples became more common in the nineteenth century. [ 3 ]
The following works are some of the most universally respected and established cornerstones of the band repertoire. All have "stood the test of time" through decades of regular performance, and many, either through an innovative use of the medium or by the fame of their composer, helped establish the wind band as a legitimate, serious performing ensemble.
List of compositions by F. Melius Christiansen; List of compositions by Domenico Cimarosa; List of compositions by Rebecca Clarke; List of compositions by Muzio Clementi; List of compositions by Eric Coates; List of operas by Carlo Coccia; List of compositions by Aaron Copland; List of compositions by John Corigliano; List of compositions by ...
List of jazz tunes; List of jazz-influenced classical compositions; List of pre-1920 jazz standards; List of 1920s jazz standards; List of 1930s jazz standards; List of 1940s jazz standards; List of post-1950 jazz standards; List of compositions in just intonation
The most famous example of this is the BACH motif, which has been used by over 400 composers [1] in tribute to Johann Sebastian Bach (Bach himself used it more than once in his own works). Other examples include: Ravel's Menuet sur le nom d'Haydn; Arnold Bax's Variations on the name Gabriel Fauré for harp and strings
This section lists works for which the location of manuscript is unknown, or which possibly were not notated. Untitled composition, 1931; Etudes, for piano (1932, possibly same as the untitled composition of 1931) Duet, for two flutes (1934) Music for Xenia, for piano (1934) Allemande for clarinet (1934) String Quartet (1936)
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